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1st - 7th March ยท 2027

Oneness Nowness

From Nature to Studio with Yasukichi Suzuki

Oneness Nowness, photo 1

"We receive boundless energy and gifts from Earth and nature.

To cherish your body is to cherish inner and outer nature โ€”

this harmony may bloom as a knowing smile for our planet.

Come as your truest self, for each being is unique."

in Koh Phangan, one of the beautiful islands of Thailand, on the beautiful planet Earth.

Oneness Nowness with Yasukichi Suzuki

Day 1: Nature / Forest 10:00 - 13:00

Day 2: Nature / Seashore 16:00 - 19:00

Day 3: Nature / Whale Rocks 16:00 - 19:00

Day 4: Day Off

Day 5: 10:00 - 13:00 Morning / Studio

Day 6: 10:00 - 13:00 Morning / Studio

Day 7: 10:00 - 13:00 Morning / Studio + evening performance for focused jam group

*Although this workshop takes place on the same days as the focused JAMs, the sessions do not overlap, and the practices are organized to be compatible.

๐๐š๐ญ๐ฎ๐ซ๐ž

We connect with ourselves, sense the surrounding nature, and dance with others. Breathing comfortably and starting with somatic practices, we will take the time to safely connect with the natural world through the act of seeing and being seen. We will explore various environments, playing both on land and in the water.

๐’๐ญ๐ฎ๐๐ข๐จ & ๐๐ž๐ซ๐Ÿ๐จ๐ซ๐ฆ๐š๐ง๐œ๐ž

We are each unique existence, we are all different. Yet, can we create something together? Valuing our own sensations and listening to one another without forceโ€”will harmony emerge? Or will it not?

Can we feel a sense of oneness with nature?

Can we maintain that sense of openness in the body and senses when we move into the studio and the performance?

To begin, relax, breathe easily, and connect with yourself and the here and now. Open your senses and explore while connecting with both your inner and outer worlds&space. Play with the connection &sensations in your body and the rhythm&quality of your breath and water. We will explore space and work towards a performance, dancing while observing and being observed. solos, duos, trios, or groups... if you have ideas youโ€™d like to try, we can experiment, create scores, and enjoy the performance together.

Letโ€™s embrace the unknown journey with a light heart.

๐‘๐ž๐ ๐ข๐ฌ๐ญ๐ซ๐š๐ญ๐ข๐จ๐ง ๐Ž๐ฉ๐ญ๐ข๐จ๐ง๐ฌ

เธฟ15 000 Full intensive (400 euro)

เธฟ 13 200 Early Birds (350 euro)

โœจEarly Bird = First 5 registrations for the full intensive - currently available 2.11.2026โœจ

Partial Attendance - Although we recommend to join the full process

เธฟ 10 400 Nature sessions only (275 euro)

เธฟ 10 400 Studio sessions only (275 euro)

A deposit of 50% confirms your registration.

Event

About the teacher

One of the early disseminator of Contact Improvisation (CI) in Japan

26 years of CI practice with a warm heart

Active both in Japan and sometimes abroad,

Guest at CI festivals in Malaysia, Thailand, India,China.

CI dancer, contact improviser, CI jam maker , CI in water lover, and human.

She began leading regular CI jams in Tokyo around 2000 and started facilitating workshops in 2002, all while continuing to practice CI. She enjoys organizing & facilitating a variety of jams & workshopsโ€”both indoors and outdoors, on regular and irregular schedulesโ€”her workshops open to everyone, regardless of age or gender, including children, the elderly, and individuals with special needs. For her, ่ธŠใ‚‹ไบ‹๏ผ็”Ÿ dancing is synonymous with โ€œlivingโ€โ€”with "love and peace.โ€ๆ„›ใจๅนณๅ’Œ and natural ่‡ช็„ถ

Based in Tokyo, she also travels abroad when invited. She has been happily practicing CI in water for nearly two decades and is a certified Watsu provider. Her solo improvisational performance works include the "Creatures of the Watery Sea" series, "Carrying Water...", and "Iro-Iro" etc.

Yasukichi Trained in studying with CI masters such as Daniel Lepkoff, Ray Chung, Martin Keogh, Joerg Hassman,Nina Martin, Karl Frost, Nancy Stark Smith, Steve Paxton, etc. and from many participants and from her daily life and nature.

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